Western Art and the Wider World

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Request a Review or Inspection Copy. Inspired by recent approaches to the field, the book reexamines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict.


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Its contribution is especially welcome as it demonstrates how exactly the idea of the Renaissance was formed by its global contacts and through acculturation of arts and ideas from beyond Europe. Mellon Reader in the Arts of Iran and Islam, The Courtauld Institute of Art 'Art history has become increasingly engaged with global connections, but to date no study has filled the need for a synthetic overview of the early modern period. We can never again see the 'Renaissance' in the same, isolated way after reading these chapters.

The editors' goal is to illuminate "commonalities" between Europe and non-Western, non-Christian cultures.

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Two of the essays, Christian's on Renaissance altarpieces and Clark's on European collections of non-Western objects, consider indirect influences on art that came from luxury goods traded into Europe. The other two essays-one on art and architecture of Islamic, Jewish, and Christian inhabitants of Spain, and of Amer-Indians of the New World, the other on Venice as a palimpsest of Italian, Byzantine, and Islamic art and culture-are particularly successful in revealing direct connections between different cultures and the hybrid art that developed from close proximity.

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Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas. Written by a well-known art historian and co-editor of the landmark Art in Theory volumes. Art History Nonfiction. More about Paul Wood.

Western Art & the Wider World

Western Art and the Wider World Embed. New here? Learn how to read digital books for free. Media Western Art and the Wider World. Required Cookies These cookies allow you to explore OverDrive services and use our core features. Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas.

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Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas. Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas Makes the case for 'world art' long before the fashion of globalization Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of 'contemporary art' to the past.

Written by a well-known art historian and co-editor of the landmark Art in Theory volumes Get A Copy. Hardcover , pages. Published December 23rd by Wiley-Blackwell first published January 1st More Details Other Editions 5. Friend Reviews.

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